JUDY KRAVIS

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Friday, 22 September 2017

When I read Virginia Woolf I don't know why I read anyone else; even in the coarse wrap of Ryanair, en route for Italy/Switzerland, this is home. A man in the seat in front of me is doing a tarot reading on a mobile device. Does tarot read accurately at 33,000 feet?

I read Orlando for the week I was away, unwilling to read too much because I wanted it to last, I wanted to have this to come back to while taking a break from the book fair, I needed to feel safe before falling asleep. I wanted to occupy the sentences and their aftermath, to know there would be more to read next day, that frozen London in the reign of Queen Elizabeth the First would give way to Anatolian gipsies, eighteenth century English wits and poets, and even marriage, in the dampened nineteenth century, to Marmaduke Bonthrop Shelmerdine.

It was going to end in the present time, and this reader wouldn't reach hers until she got home. For now, in Lecco, Lugano, Gandria, Castello and the lower eastern edge of Lake Como, I needed Orlando to keep moving, as I needed his/her idle moments, when his/her chief resource, like mine, was looking out of the window, when snails and starlings are enough for narrative, when all you should want is to lie at peace with only the sky above, when you can arrive at ecstasy watching a toy boat on the Serpentine.

Shades of Rimbaud. Shades of Proust. All my readerly antennae are met.
So it was, and Orlando would sit by himself, reading, a naked man.
And again:
The pith of his phrases was that while fame impedes and constricts, obscurity wraps about a man like a mist; obscurity is dark, ample, and free; obscurity lets the mind take its way unimpeded. Over the obscure man is poured the merciful suffusion of darkness. None knows where he goes or comes. He may seek the truth and speak it; he alone is at peace. And so he sank into a quiet mood, under the oak tree, the hardness of whose roots, exposed above the ground, seemed to him rather comfortable than otherwise.
And again.

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